My adventures in Quilting and Gardening Quilt Buyer Beware For those of you who like to buy quilts at on-line auctions I thought I would give a bit of advice. There are many quilts out there that are reproduction quilts. There is nothing wrong with a reproduction quilt as long as the buyer knows that is what they are buying. They are machine pieced and hand quilted. If you are looking for a quilt for every day use these quilts are a good option. If you are looking to buy a quilt for vintage or antique value pass on reproductions. This should be required reading for anyone interested in antique and vintage quilts and http: People who buy up estates assume that if a quilt has hand stitching and is found at an estate sale it must be old.
Fabrics help piece together history
She graciously consented, and here she is to do just that. I adore old fabric and have several running feet of antique quilt tops and quilts stored in a walk-in-closet just off my office. In fact, one set of quilt blocks in particular played a role in my beginning the story that became my first novel back in It was only natural for me to imagine my heroine stitching those blocks together … and only natural for me to wonder why she never finished them.
Those bits of cloth led me to take a class in dating quilts … and another class … and, eventually, a class in appraising quilts … and then another … and so it goes.
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For each time period the author gives a brief history of what is going on, describes the textile colors, fabric print styles and quilt styles in use during that time. She also has pictures of many fabrics from that period. It includes patterns that beginning quilt makers can complete successfully, as well as designs an experienced quilt maker will enjoy working with.
There are popular and traditional patterns – and all the instructions for the techniques required to make them. Quilting Curves – An Innovative Technique for Machine-Piecing Curves with Incredible Ease, Vikki Pignatelli This book introduces a surprisingly simple technique that allows you to create wonderful curved-line designs that sweep gracefully across your quilts. Working entirely by machine, you can stitch beautiful, smooth curves – without the painstaking precision that conventional piecing requires.
You can even use the same simple method to create perfect points, with no bulky seams or mismatched tips. Patchwork Patterns – A revolutionary, simple way to create original and traditional patchwork patterns, Jinny Beyer In this book the author describes her method which can be used to copy, adapt, reduce, enlarge or create any geometric pattern, including rectangles and ovals.
ANTIQUE 1876 CENTENNIAL WHOLECLOTH PATRIOT QUILT FABRIC
Be the first to review this product From poodle skirts of the s to baby doll dresses of the s, the fabrics of our everyday lives are featured in this handy reference guide to the materials of the last half century. A companion to Dating Fabrics: A Color Guide , this source is ideal for those studying fashion and clothing trends from thelate twentieth century, as well as collectors of recent quilts.
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Tales from the collection at The Alice T. He, in turn, had five sons who all went on to have quite remarkable lives of their own. Shortly after his arrival in London at the age of thirteen, he was apprenticed to a local pharmacist, John Salter, and by the time he was nineteen he had opened his own drugstore. Two years later, he married Sarah Agnes Robinson daughter of the minister who had performed the wedding of Bertha Saunders and Richard Patton the year before , and they had six children: William Saunders was a good businessman, but he was also interested in the science of pharmaceuticals.
His interest in the medicinal properties of plants led him into the study of botany and then to entomology.
The Fabric of Our Lives, by Maureen Taylor
If this item contains incorrect or inappropriate information please contact us here to flag it for review. This quilt isa wholecloth quilt featuring a patriotic madder -dyed, copper-toned, cheater cloth print. It is a fabric identifyed in the book “Dating Fabrics” by Eileen Trestain. It is found on page The quilt measures about 83″ x 90″. It is quilted in white thread showing stitches per inch.
Eileen Trestain describes toiles as pictorial fabrics, “featuring events of the period or classical literature scenes.” 2 Many were pastoral scenes like the one in this doll quilt. Toiles were produced in .
The proof is in your family photo albums. What they wore reflected when those teens lived, their economic status, and their knowledge of fashion. A family photograph tells you many things such as what your ancestors looked like and who took their picture. However, some details are left to your imagination. Those gorgeous heritage photos show family dressed in their everyday clothes or Sunday best, but those black and white images seem incomplete.
There are ways for you to understand the clothing trends followed by your relatives and get a feel for the past. I watch area museums for costume exhibits and then mark my calendar. Dating photographs from the s takes on a whole new meaning when you actually look at the clothing worn by these individuals. A recent exhibit of attire from that period at the Museum of Fine Arts in Boston was so fascinating I returned again and again. It enabled me to see in 3-D and in brilliant color the styles worn by my pre-Civil War ancestors.
Berger Texas Tech University Press, lets you find costume collections in your area.
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He hands Bill a slim box and Bill looks absolutely delighted. After the delivery man leaves, Bill and I introduce ourselves and Bill invites me in to see what arrived. His intention is to wear them when he speaks at his latest exhibit, Off the Grid, which showcases his extensive polyester quilt collection. Bill has always been a collector, starting with Wacky Packs cards at the age of five.
His mother a big collector as well, and both plan on attending the Antiques Roadshow this summer in Portland, Oregon. And yes, Bill will be bringing a few quilts.
Dating fabrics a color guide [eileen trestain] on *free* shipping on qualifying e appraisers and collectors of fabrics, quilts, and antiques can use this book to recognize, dairyman removed his hard gaze from Tess, and fixed it on his he’d have raved and ranted in his latter day popular Sunday column, Stray.
A History of Fashion in Headwear. The Art of Dress: Clothes and Society National Trust Enterprises, Barreto, Cristina and Martin Lancaster. Napoleon and the Empire of Fashion Masterpieces of Women’s Costume of the 18th and 19th centuries. Blum, Dilys and H. Philidelphia Museum of Art,
Guide to Victorian Civil War Costumes on a Budget
Antique Quilts from the Collection of Patricia S. Purchased at Portland Museum of Art, Maine, during the exhibition. The Art of the Quilt, Alfred A. Benberry, Cuesta, Always There: Signed by the author. Berenson, Kathryn, Quilts of Provence:
Sep 11, · A book I find very helpful for learning about fabrics through the decades is Dating Fabrics: A color guide by Eileen Trestain. It has pages and pages of swatch-sized photos for each stylistic era, arranged according to color.
Sharing a range of textiles Textile Treasures March 1, A most generous reader, Ranger Elaine, has sent me some wonderful treasures from her collection. The star of the show is this tiny silk-covered accordion book with quilt scraps in it. Elaine thinks it came from Rhinecliff, New York. In , a museum appraiser dated it to — Cover of the book of quilt scraps. Usually I am looking at quilt fabrics to see if I can figure out their date — this time, I got to work in reverse.
Knowing the dates of the fabrics, I looked at my resource books to see what they could tell me about fabrics of that era. Pages 4 and 5. The samples are about 3 inches 7.
Wyoming State Quilt Guild
I find even the most beautifully made dress very distracting when the material used is obviously wrong. It takes my attention away from the doll itself. Even better news for those of us interested in Izannah type doll making is that reproduction Civil War era quilts are very big with quilters right now, so there are a lot of different fabrics to choose from. When looking at reproduction fabrics, remember you can always pick fabrics from an earlier time period than your doll, as people saved and re-worked the fabric from used garments.
Locate a shop in your area that sells quilting fabrics and supplies.
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I take most of my cues from the fabrics that were used to make the quilt. Even the thread is important for dating a quilt. Remember that scraps for quilts were saved for many years sometimes, and quilt tops were often quilted onto much newer backings, years later. This is why you have to study a quilt carefully to make a determination of its real age. Quilts are no exception. The fabrics chosen by the quilter, the pattern of the pieced quilt blocks, the quilting style and the way the quilt wore from use or lack of use are indicators of age and value.
For example, in the s, the Civil War influenced quilt making. The Southern states were not producing the cotton needed by mills in the Northern states, so new fabrics were not plentiful. The fabrics that were being produced were needed for the war effort on both sides of the conflict. So, many of the quilts that were made during this time used worn-out fabrics or scraps of fabrics that were much older than the date the quilts were made.
These quilts were given to soldiers for hard use.
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Each week I will discuss a female garment, fashion trend or influencer from the age of photography s through the 20th century. My goal is to educate family researchers and genealogists about the clothing worn by our ancestors. Dating photographs is an issue we all struggle with as family archivists.
This is the newest piece in my antique fabric collection, the cheater (pre-printed patchwork) fabric. This is the red version, the madder orange/brown version can be seen on page 75 of Trestain’s Dating Fabrics:
Quilts About this collection This unit of the Tennessee Virtual Archive celebrates the tradition of quilting in Tennessee. The images displayed here, drawn from a variety of collections at TSLA, portray both quilts themselves and Tennessee quilters engaging in their craft. Whether displayed on the walls of a museum or employed for their original purpose, Tennessee quilts embody the spirit and values of the Volunteer State better than any other tangible object.
Traditionally, society entrusted the care and keeping of the domestic realm to women. Housework, child-rearing, cooking, and tending the sick each necessitated the implementation—and often the creation—of certain tools to achieve these duties. The necessarily measured pace required to construct quilts allowed makers creative planning time to craft elaborate designs for their works of art.
Throughout the South, quiltmakers used quilts as artistic objects to convey personal attitudes toward events of the day. The Whig Rose pattern emerged in response to a popular political party of the antebellum period; its floral design occasionally signified the partisan leanings of its maker and her household.